Mia Maramara

INFO

NameMia Maramara (she/her)
Country of BirthPhilippines
Place of ResidenceTāmaki Makaurau Auckland
EthnicitiesFilipino
ArtformScreen
Decades Active2010s, 2020s

ABOUT

Mia Maramara is a Filipino-born filmmaker whose work has been screened both locally and internationally. Her passion for original and personal stories has led her to wear different hats in the industry, most notably as a writer, director, and producer. In 2021 she co-founded MHM Productions, a genre-oriented production company, with long-time collaborators Hweiling Ow and Morgan Leigh Stewart.

Maramara traces her love of movies to early childhood, watching back-to-back screenings of random movies playing in the cinema. In 2013, Maramara graduated with a BFA in Information Design at Ateneo de Manila University and briefly worked with award-winning producer Bianca Balbuena as a production assistant on Pepe Diokno’s film Above the Clouds. In 2014, Maramara moved to Aotearoa to study film at South Seas Film and Television School, where she received a diploma in screenwriting and directing and got her first job at Sky TV as a digital editor.

Creating work that comes from her own lived experiences, Maramara directed Only Human, a short documentary about going no contact with her “hardline, chauvinistic” father. In an interview with NZ Herald, Kate Goodwin, the show's producer, said:

it [the documentary] would resonate with every young woman who'd had awkward conversations with their dad about why their long-held attitudes aren't okay to talk about any more. I was not only fascinated with Mia and her father's story but I also recognised the importance of feeling okay to ask bigger questions such as 'are you obliged to have family members in your life who have totally opposing views to you?'

In 2022, Maramara earned the distinction of being the first Filipino director to helm an episode of a prime-time drama on New Zealand television with ‘Albularyo’ which proudly features the Tagalog language and a cast of Filipino leads. In that same year, Maramara was named SPADA New Filmmaker of the Year for her work as a director who is “making an impact in reaching broad audiences and creating content that allows the Asian community to see themselves on NZ screens and within NZ contexts”.

In an interview with DEGANZ about how she got started in the industry, Maramara recounts:

Being an immigrant in the film industry is harrowing, especially when you have a less desirable passport, as I did. I’m the only international student from my year who managed to find work and, subsequently, a visa that allowed me to stay. I traded four years of my life for a chance at a resident visa, meanwhile, unable to apply to any local film programs or get paid for any creative work.

Maramara's life motto is “there are no wasted moments”. She worked on music videos and passion projects, volunteering to work on sets whenever she could. It was Maramara's love for the craft that got her through and she found that she could “thrive in the vicious ups and downs of late nights and cheap pizza”. As for her future aspirations, Mia adds, 'I'm working towards a more sustainable feature film career and looking to collaborate with filmmakers abroad or back home.'

LINKS

Key works / presentations

2024 – Vivie (producer)

2024 – Grafted (writer)

2023 – Kāinga: Candy (writer)

2022 – 'Albularyo: The Witch Doctor' (writer and director)

2021 – Only Human, short documentary for Loading Docs (director)

2020 – Table for One, short documentary for Loading Docs (producer)

2018 – The Year of Yes (writer and director)

2018 – Foodie (writer and director)

Key awards

2021 – SPADA New Filmmaker of the Year (winner)

2019 – NZ Web Fest: Best Pilot (The Year of Yes)

2018 – TVNZ New Blood Web Series: Finalist (The Year of Yes)

Last updated: 17 January 2025 Suggest an Edit

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OTHER PHOTOS AND Ephemera

A Filipina in a blue and brown patterned dress smiling while holding a rectangular white document that says 'SPADA New Filmaker of the Year Award'

Mia Maramara awarded the 2021 SPADA New Filmmaker of the Year Award at the 2022 SPADA Screen Industry Summit

Photo by SPADA

A movie still from a horror movie of an East Asian lady holding a scalpel to her face and drawing blood

Still from Grafted, 2024

Photo by Matt Grace

A scrap book containing cutout images of a mannequin with a measuring tape around its waist and a bed with a bunched up blanket alluding to people having sex

Still from Only Human, 2021

Image by Siew Wee at Pixel Push

Two female-presenting people looking at a screen and smiling

Mia Maramara and Hweiling Ow behind the scenes on Albularyo, 2022

Photo by John Rata

A horror movie set of a person with white hair and standing on a roof, wearing huge bat-like wings

Stunt work by Esther Lau Yong for Albularyo, 2022

Photo by John Rata

A Filipina in a black puffer jacket directing a scene with her crew behind her

Film crew behind the scenes on Albularyo, 2022

Photo by John Rata

A still from a movie that is split in 2 parts - left part has a mature person in house clothes talking on the phone, the right part has young people looking dressed and ready to go out

Still from Kāinga: Candy, 2023

Photo courtesy of BSAG Productions Ltd