Sahana Rahman

INFO

NameSahana Rahman (she/they)
Born1999
Country of BirthAotearoa
Place of ResidenceTāmaki Makaurau Auckland
EthnicitiesSri Lankan (Tamil), Bangladeshi
ArtformCraft/Object, Visual arts
Decades Active2020s

ABOUT

Sahana Rahman is a visual artist based in Tāmaki Makaurau. Her practice incorporates embroidery, painting, drawing, and community activation. Within her art practice Rahman focuses on styles of art that are derived from South Asia, incorporating styles included in Mughal miniature paintings. She uses depictions of flora that are derived from Bangladesh, Sri Lanka and Aotearoa to reference her diverse cultural perspective.

Rahman uses shisha embroidery, a practice that stems from 17th-century India, in which small mirrors or reflective metal are sewn into fabric as a form of adornment. Her use of these traditional methods signals her interest in decolonial practice and her multicultural background, as she uses methods from across the Indian subcontinent. She describes her practice as a tool for therapeutic release, creating forms that require repeated gestures that build a meditative flow.

She was born and raised in Newlands, Te Whanganui-a-Tara, into a cross-cultural Bangladeshi and Sri Lankan Tamil home. She attended Massey University where she graduated with a Bachelor of Fine Arts (Honours) in 2022.

The year after graduating she moved to Tāmaki Makaurau, where she began running embroidery workshops, which she has since hosted throughout the country including at Auckland Libraries and MEANWHILE in Te Whanganui-a-Tara. These workshops focus on styles that are culturally specific, such as nakshi kantha, a Bengali communal embroidery practice that uses hand stitching techniques, where many people work on one piece of cloth. In Rahman’s workshops she invites people to work collaboratively and collectively in the same way, using the setting as a time for storytelling and community building. She describes her workshops as “a tactile, communal way of engaging with creating an artwork as a group activity. Being passionate about it, as I am, makes it easy to teach”.

She also sells her artwork and keychains in art spaces throughout Tāmaki Makaurau such as the Queers & Wares market at Studio One Toi Tu and the DEPOT shop Toi Toa in Devonport.


LINKS

Key works / presentations

2024 — Nokshi Kotha workshop, MEANWHILE, Te Whanganui-a-Tara

2024 — Nokshi Kotha workshop, Auckland Central City Library, Tāmaki Makaurau

2023 — Nokshi Kotha workshop, Manawaka Ao, Tāmaki Makaurau

2023 — Nokshi Kotha workshop, Hyphen, Tāmaki Makaurau

2022 — Stay Until After the Bloom, Drive-Thru Gallery, Te Whanganui-a-Tara, group exhibition

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Last updated: 2 July 2024 Suggest an Edit

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OTHER PHOTOS AND Ephemera

Photo of a embroidered artwork on an orange wall

Sahana Rahman, Concrete Containers, 2022, cotton thread, yarn, polyester, beads, coins, acrylic, handmade paper, and mdf

Photo by Kane Laing

A group of people around a table

Nokshi Kotha workshop with Sahana Rahman

Photo by Joe Andrew

A hanging embroidered artwork

Sahana Rahman, Chandanam (சந்தனம்) Mirage, 2022, cotton thread, fabric, mirror, sea glass, acrylics, polyester filling

Photo by Jessica Miku

A person sewing a fabric with embroidery

Participant's work at Sahana Rahman's Nokshi Kotha workshop

Photo by Joe Andrew

A person standing in front of a embroidered fabric artwork

Sahana Rahman in front of her work Portals: Kantha, 2022

Photo by Phong Ngo

People sitting around a table with embroidered artwork hanging up behind them.

Photo of Nokshi Kotha workshop

Photo by Phong Ngo