Van Mei

INFO

NameVan Mei 梅 (they/them)
Also known asf.k.a. Vanessa Mei Crofskey, Vanessa Crofskey
Born1996
Country of BirthAotearoa
Place of ResidenceWhakatāne
EthnicitiesHokkien Chinese, Pākehā
ArtformVisual arts, Literature
Decades Active2010s, 2020s

ABOUT

Van Mei is an artist, writer, performer and producer and was the director of arts and culture platform, The Pantograph Punch, from 2022 to 2024. They were previously a staff writer and communications manager for the organisation. Mei is of Hokkien Chinese and Pākehā descent and grew up in Pōneke with their Malaysian-Chinese mother.

An enjoyment for writing and art in their youth led them to a “very eccentric CV”. They have had their poetry featured in a wide range of online journals including The Spinoff, Britomart, Te Papa, Gloria Books, NZ Herald, Scum Mag, HAMSTER Magazine, Turbine | Kapohau, Starling, Auckland University Press, Mimicry Journal, Min-a-rets, Te Herenga Waka University Press, Massey University Press, the New Zealand School Journal and Hainamana.

Mei currently focuses their practice on visual arts, performance and literature. Being queer/non-binary and living with C-PTSD and health issues related to adverse childhood experiences, they utilise their art practice to make ‘invisible’ struggles and barriers more visible, advocating for the rights, presence and protection of women, gender minorities and migrants. Mei is a survivor of intergenerational domestic abuse and childhood sexual violence. For them, writing has been a helpful avenue for processing and reflection.

Their poetry was published in AUP New Poets Six, where it was described as having “political edge and personal vulnerability”, and also features in A Clear Dawn: New Asian Voices from Aotearoa New Zealand and Out Here: An anthology of Takatāpui and LGBTQIA+ writers from Aotearoa. They have performed several times as part of Show Ponies. Mei sits on the National Poet Laureate Advisory Board 2022–2024.

Since graduating from AUT with a Bachelor of Visual Arts in sculpture in 2017, they have worked across the sector as a poet, performer, artist and freelance administrator. Mei worked as a producer in residence at Basement Theatre, a curator for Window Gallery and in 2020, they were appointed the director of Enjoy Contemporary Art Space. They are interested in relational approaches to wellbeing and building creative community spaces to heal. Mei has worked extensively with festivals, public programmes and galleries to create exciting performances exhibitions and installations with Satellites, Artspace Aotearoa, Gus Fisher Gallery, Window Gallery, RM Gallery, Te Tuhi, Mairangi Arts Centre, The Dowse, Te Uru, The Physics Room, The Performance Arcade, Auckland Live and others.

LINKS

Key works / presentations

Key awards

2020 — Runner up, Surrey Hotel-Newsroom Writers Residency Award

2019 — Auckland Fringe Award: Best Spoken Word (Long Distance Phone Calls)

2019 — Auckland Fringe Award: The Auckland Arts Festival Fringe Award for excellence in production (Long Distance Phone Calls)

2017 — AD17 Head of School Award (AUT School of Art and Design)

2017 — Auckland Fringe Award: Best Storytelling & Spoken Word Award (Sexts and Subtweets)

2017 — Auckland Fringe Award: Here and Now Award, Auckland Theatre Company (Sexts and Subtweets)

2017 — Auckland Regional Slam Champion

2015 — University of Auckland Slam Champion

Last updated: 28 May 2024 Suggest an Edit

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OTHER PHOTOS AND Ephemera

Posters on a window, facing out into Karangahape Road.

Placement test for Artspace Aotearoa’s New Artists Show using posters from the MUNU project for Satellites, Artspace Aotearoa, 2020

Photo of a woman in a hairdressing chair getting her hair cut.

"Photo of mum getting her hair cut at Koko’s Beauty Salon in Kepong, Kuala Lumpur." Shown in the exhibition Sungai Buloh at the Graduate Artist Awards Exhibition, Mairangi Arts Centre, 2021

Hand cut and pasted collage of magazine images on pink paper.

Test collage in the process of creating smoke signals for the Te Tuhi Billboard Series, 2019

Handmade version of a shop's "Yes, We are open" sign.

Test collage in the process of creating smoke signals for the Te Tuhi Billboard Series, 2019

Felt tip pen sketch on lined refill paper.

Doodle for installation wall of Bling Ring group show, Enjoy Contemporary Art Space, 2021

Portrait of Van Mei and Amanda Jane Robinson as part of promo for the poetry series Fake American Accent, held monthly at Basement Theatre in 2017

Van and Amanda stand in front of a Thursday Girls poster.

A few poets sit in front of the lit-up organ at Auckland Town Hall.

Ngā Hine Pūkorero poets during a lighting test for Long Distance Phone Calls, Auckland Town Hall as part of Auckland Fringe, 2019

Photo by Lucie Everett-Brown

Flow chart

Art school vibing: writing poetry and thinking through text inside of systems. Made in Microsoft Word in 2017. Presented as part of the ‘Look Up Conference’, Te Oro, 2019

Hand-drawn flow chart.

Art school vibing: writing poetry and thinking through text inside of systems. Drawn in 2017. Presented as part of the ‘Look Up Conference’, Te Oro, 2019

Scan of a notebook page showing redacted poetry.

Continuation of art school vibing: writing poetry and thinking through text inside of systems. Presented as part of the ‘Look Up Conference’, Te Oro, 2019