Bitter Sweet Narrative Film

INFO

NameBitter Sweet
Year1998
Key Cast
Minh Tran, Daniel Sing, Duncan Binnie
Composer(s)Everett Rika
ArtformScreen
DescriptionShort film
Creative Team
Photography: Clinton Spencer, Steven Chow
Camera Assistant: Brendan Withy 
Sound Design: Kurt Joy
Sound Recordist: Stephen Shepherd

ABOUT

Bitter Sweet is an early short film directed by first-generation Chinese New Zealand filmmaker Steven Chow. Produced in 1997 as part of Chow’s Moving Image major for the Bachelor of Media Arts at The Waikato Polytechnic (now known as Waikato Institute of Technology), the film is a notable – though due to its student origins, largely unknown – example of Asian representation and influence in Aotearoa filmmaking.

Chow describes Bitter Sweet as exploring the “mixed emotions you go through when a relationship ends” and recalls, “it was about how the main character always got himself into trouble and jeopardised his relationship with his girlfriend. It was something I was going through personally at the time.” Due to criteria he was following for the assignment, as well as budget limitations, Chow conceived the film without dialogue, relying on diegetic sound and a single music score track to tell the story.

Asian visibility was also important to Chow. “I knew at the time I wanted to have Asian characters, so I began asking friends and was referred to Daniel Sing, who was already acting at the time in Auckland. One of my cohorts knew an Asian girl working at a store called Sun Clothing in Hamilton. That’s when Minh Tran joined the team after we met over coffee. She told me she was so nervous during the shoot because we were shooting on the streets at night. She enjoyed it though, and we are very close friends to this day.”

Bitter Sweet was shot on 16mm film stock in central Tāmaki Makaurau, including various sites along Victoria Street, and just outside of the CBD, the Newmarket Plaza Food Court, a still-prominent lane of East Asian-owned businesses, markets and eateries. Heavily inspired by the films of Wong Kar-wai, Chow uses these locations to simulate the nocturnal energy and dynamism of urban Hong Kong. Experimental editing and non-narrative techniques also evoke the fragmented cinematic style that Wong became admired for throughout the 1990s.

Other moments and locations captured include a Pasifika drum performance, part of a New Zealand Chinese Association event; the exterior of Ocean City Seafood, a once-popular Chinese restaurant on Victoria Street West; and the former Burger King (now a Starbucks) on Queen Street, a homage to the American pop culture that often features in Wong’s films.

Bitter Sweet premiered at the Paramount Theatre as part of the Wellington Fringe Film Festival in 1998. Through his studies, Chow was awarded the Moving Image Award, receiving a $2,000 prize from Atlab New Zealand for film processing, which he pooled into another short film titled Between Cities. This led to an offer to edit television commercials by the late director Paul Swadel. Chow continues to practice commercial and television editing professionally today alongside his personal film projects.

Key works / presentations

1998 — Wellington Fringe Film Festival, Aotearoa

Key awards

1997 — The Waikato Polytechnic: Moving Image Award

Related entries

Last updated: 15 September 2024 Suggest an Edit

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OTHER PHOTOS AND Ephemera

'Bitter Sweet' (short film), 1998

A triptych of film frames, tinted in yellow and green hues, of a woman standing in a beige overcoat.

16mm film tests of Minh Tran, 1997

At night, a director and his film crew prepare to shoot two actors inside a white hatchback car.

Steven Chow, cast and film crew shooting a scene from Bitter Sweet, 1997

A man and a woman sit inside a white hatchback car.

Daniel Sing and Minh Tran, 1997

A woman in a red cheongsam sits with a glass of red wine at a bar. A man, with his back turned to the camera, stands behind the bar in front of a wall of liquor bottles and a Red Bull sign.

Minh Tran and Daniel Sing, 1997

A man in blue jeans stands next to a man in a white hooded sweatshirt and black baseball cap, who is crouched next to a camera and tripod.

Cinematographer Clinton Spencer (in memoriam) with Steven Chow, 1997

A man in a black top and grey shorts sits on the floor next to a man in a white hooded sweatshirt and black baseball cap. In the foreground are various items of film equipment.

Friend Simon Thomas with Steven Chow, 1997

A man in a white shirt points a film camera at another man, wearing a light blue windbreaker. Two other men, both wearing black, stand in the foreground observing.

Jonathan Clark, Daniel Strang, Steven Chow and Duncan Binnie, 1997

A woman wearing a beige overcoat and a man wearing a black leather jacket sit together at a bus stop.

Minh Tran and Daniel Sing film still from Bitter Sweet

A woman wearing a beige overcoat walks towards the camera.

Minh Tran in a film still from Bitter Sweet